
Shefali Shah
| Photo Credit: Ridhika Mehra
Growing up, Shefali Shah thought the most she could aspire to be was an air hostess. Today, with over 25 films under her belt (fromĀ Monsoon WeddingĀ toĀ Gandhi, My FatherĀ andĀ Three of Us), and some hard-hitting TV shows ā letās not forget the 2023 International Emmy award nomination for best actress forĀ Delhi CrimeĀ ā Shah says she is āhappiest on setā.
The versatile actor was in Chennai last weekend for Ignition, a platform created by philanthropic organisation Shiv Nadar Foundation to explore history, education, and society. In her conversation with journalist and host Shoma Chaudhury, Shah frankly discussed how she started her career with theatre, why she will never play Akshay Kumarās mother again, and how the āparts that she plays are main charactersā.
With the much-awaitedĀ Delhi CrimeĀ season 3 in the offing,Ā The HinduĀ caught up with her to discuss films and understand how she finds silence in her characters. Edited excerpts:

If you could revisit a character, which one would it be?
Delhi CrimeĀ is the strongest one. In a film, to tell the entire story, you only have three hours. But in a series, you have eight episodes to build a whole person. There are challenges with it, but it is more exciting. Vartika is terrific. She is a no-nonsense person, and has a lot of empathy. Everyone thought that Nirbhaya was a personal case for her, which it was. But she takes every case personally, and thatās why sheās hell-bent on solving it. She is [also] very smart to understand her teamās strength and work accordingly. I think she is very nuanced, and I had the time to create her.
Most actors work towards finding a characterās voice, but what does it take to find a characterās silence?
I genuinely feel that we have the luxury of a camera that can catch the smallest nuance. If you can say something in two words, donāt use four sentences. If you can say something in silence, there is nothing that speaks louder than that. Itās all caught [on camera]. I feel that there is a lot of power there.

A still Delhi CrimeĀ season 3
| Photo Credit:
Special Arrangement
What kind of projects have followedĀ āThree of Usā?
There is a lot of women-centric stuff happening. Often, when one thing takes off, everyone comes to you with similar projects. I shot forĀ Delhi Crimeās season three last year. I also shot for the filmĀ Hisaab, directed by Vipul Shah. Itās a heist, and pretty funny. I take up something if I am completely blown away or affected deeply. A lot of times, I just end up saying no.

A still from Three of Us.
| Photo Credit:
Special Arrangement
Shefaliās viewing list
I watch a lot. I am inclined towards thrillers and human drama, but I am okay with anything that leaves an impact. Letās begin with some series:Ā Adolescence,Ā Chernobyl,Ā When They See Us,Ā Fleabag, andĀ Gaslight. There is an old film too on my list,Ā Steel MagnoliasĀ ā as all the women characters are fantastic. Films such asĀ Bahubali,Ā Kantara, and Mani Ratnamās works have blown my mind; works of Vidya Balan such asĀ Tumhari SuluĀ orĀ Dirty Picture. Even [Sanjay Leela Bhasaliās]Ā Gangubai. There is so much amazing work happening.
Which films, according to you, have best portrayed flawed women?
Everyone is flawed in their own way. Vartika is not perfect; she has her own flaws. Shamshunissa [a character fromĀ Darling] is terribly flawed, but very unapologetic about it. And rightfully so.Ā Dirty Picture,Ā DisclaimerĀ [a miniseries starring Cate Blanchett], and evenĀ Lipstick Under My BurkhaĀ [have flawed women]. According to society, they are completely messed up. But even otherwise, they have their own flaws. That is the beauty of humans. Itās the rugged edge that makes them so interesting.
Published – May 02, 2025 08:38 pm IST